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Cuban Coffee Break – maybe make it an espresso?

Welcome to my Blog


It’s my bespoke stomping ground in the Intermatrix. You are very welcome, and thanks for stopping by…

This time, reflections on the sea and Cuban cats…


This is a selection of six word stories, following on from my three earlier articles about the form, Hemingway and his extraordinary (and hopefully true, but what the hell) bet…

I have started with a six-worder that I have written as an homage to The Old Man and the Sea.

I have tried to capture the essence of the book – a futile exercise in many respects, but a fitting place to start…It’s not a movie trailer or blurb, but an attempt to encapsulate the book’s essence as an evolving story. Ironically, Hemingway’s book title comprises six words. They elegantly tell you what the book is about; it is not in itself a six word story that stands in for the book as a whole, it simply sets the scene, promises a story. About an old man. And his interaction with the sea. Hemingway had the whole book to dazzle us with that interaction. I have instead endeavoured to tell the story within the self-imposed limit…

Here it is:

Elder catches marlin. Sharks. Start again.

There’s an old man (an “elder” – it seems to me important, for dramatic effect, that the balance of power is shifted even further away from the fisherman in his struggle). He catches a marlin (an impressive catch), but is thwarted by relentless sharks and is forced to start again his almost Sisyphean task of battling the elements and Fate. A survivor, but a battered survivor.

In the stories below, I have sometimes played a little with the font and spacing in the stories for dramatic or comic effect, but always sticking to the rule for the body of each story.

Here we go…


Receding tail lights.

Rain.

FadIng hope.


Shiny licence. Road trip. Twisted metal.


The Four Horsemen arrived.

THE END


Measuringdevicesland coup.

I’m the new ruler.


Lifeboat. Two passengers. The non-vegetarian survives.


I have given the final SWS a title, to see whether it’s: 1. cheating, 2. helpful for context, 3. see what you think…


NCIS: Lothlórien

Galadriel slain!
Elf-defence?
First degree Mordor.


That’s all for now. I hope you have enjoyed these voyages into tragedy / thriller / very silly.

Please do let me have your comments; all welcomed.

Cheers,

Alan

Alan Camrose

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Bet out of Hell

Havana Good Time – Part Tres

Welcome to my Blog at The Lair Of The Camrose


It’s my bespoke stomping ground in the Intermatrix. You are very welcome, and thanks for stopping by…

This time, getting to the heart of six-word stories and the Bet Out Of Hell…


Ernest Hemingway, one lunchtime with friends, reputedly took on the seemingly crazy challenge of paring down his already wafer-thin prose to a six word story, no more, no less.

My slightly longer than six words story goes that he made that bet at a lunch, possibly in The Algonquin hotel in New York.

He famously wrote it on a napkin.

For sale: Baby shoes. Never worn.

He collected his winnings while his companions gladly paid up, knowing that something extraordinary had just happened. I cannot help thinking that, if this is indeed how it happened, there’s a faint whiff of him setting up his literary friends with something pre-prepared, possibly to fund his next dozen or so daiquiris at the Floridita bar in Havana.

Another ,daiquiri, por favor, barman!

Whether the bet took place, where it took place or anything else about it has become a matter of legend. Urban legend in this case. If it were in New York, that is one of the most urban settings imaginable.

In many respects it matters not whether the concept fought its way into the world on that day – whatever day it was – or whether it was a confidence trick on the part of Hemingway or a wily agent to highlight and publicise his Spartan writing method. Whether it was effectively copied or adapted from earlier newspaper stories or word-games does not matter either.
It is one of those stories, fictional or otherwise, that I want to be true, not to be taken away from me. Comfort can be taken from the fact that the six words differ from the earlier apparent sources and the least of it is that Hemingway perfected the form.

It is a clean and brutal format.

The Hemingway baby shoes story sets the scene, homes in and then tears your heart. The baby shoes on offer have never been worn. A clear and dramatic pointer to ultimate tragedy.
Interestingly, if the shoes had been a boy’s shoes and the expectant parents had, by a twist of fate, welcomed a daughter into the world, then the same words would have simply described a correction of an unfortunate mistake; there would have been no drama, simply the acquisition of pink shoes with the proceeds to replace the blue. No tragedy. More importantly, no story to speak of.

We are made complicit in accepting the presence of tragedy to ensure that the dramatic weight of the piece crashes home. In those syllables, some collaboration is required between Hemingway and the reader to arrive where he wanted to be.

With all of this in mind, I decided to have a go at creating some more of these fiendishly awkward one-liners. The rules are quite simple, unchanged over the decades:

Six words. No more. No less.

That’s it.

I have found a sense of poetry, seriousness and playfulness in this form of story which I hope you will share with me in my stories in Part Four.

Hasta La Vista, Baby!

Cheers!

Alan

Alan Camrose

Alan Camrose with beard

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